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The Legend of the Red Lantern
・ The Legend of the Reno Brothers
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・ The Legend of the Titanic
・ The Legend of the Unknowns
・ The Legend of the White Serpent (1956 film)
・ The Legend of Three Kingdoms
・ The Legend of Thyl Ulenspiegel and Lamme Goedzak
・ The Legend of Tom Dooley
・ The Legend of Valentino
・ The Legend of Wenlong
・ The Legend of White Fang
・ The Legend of William Tell
・ The Legend of Wisely


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The Legend of the Red Lantern : ウィキペディア英語版
The Legend of the Red Lantern
''The Legend of the Red Lantern'' () is one of the Eight model plays, the only operas and ballets permitted during the Cultural Revolution in China. The official version was that of a Beijing Opera. It was additionally adapted to a piano-accompanied cantata by pianist Yin Chengzong, formed by a cycle of arias extracted from the opera itself.
The play is based on a movie titled ''There Will be Followers'' (自有后来人) made in 1963, which is based a novel titled ''There Will be Followers of Revolution'' (革命自有后来人) by Qian Daoyuan (钱道源) first published in 1958. The novel in turn, is based on a true story of communist undercover agents working at a Huicui (辉崔) railway station in Hulin fighting the Japanese invaders during the Second Sino-Japanese War.
According to Lu Xing, the 'class enemies' in all of the model operas were depicted as 'cruel' and 'oppressive'.
==Summary==
The play concentrated on the exploits of the communist underground activities under Japanese occupation in 1939, though history traces back in the 1920s.
When Li Yuhe, a railroad worker who was engaging in underground work, was taken away by special agents and Grandma Li has a premonition of being arrested, Grandma tells the protagonist, Li Tiemei the true story about her family. Grandma Li tells Li Tiemei how her parents have sacrificed their lives in the revolutionary struggle. Li Yuhe has taken up the unfulfilled task of the martyrs. After hearing the heroic story about her family, Li Tiemei is determined to follow the example of her father and carry the revolution through to the end.〔
All three of the young women protagonists in the story express "extreme anger and hatred toward their enemies," according to Lu Xing's analysis, along with "a fierce determination to join the revolutionary force." These emotions intensified through the course of the opera as the music and singing became more and more passionate.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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